2012年9月1日星期六

Steven Claydon was born on 1969 Lives and works in London

Steven Claydon was born on 1969 Lives and works in London. Steven Claydon appropriates the styles and figures of history to draw provocative connotations between contemporary social concerns and obsolete ideologies. Primarily interested in the concept of veneration ?both in the contexts in which past events are documented through modern museology, and in the physical forms by which they have been represented ?Claydon exhumes the 憊eritas?of artifacts, undermining their value and truth through his witty and complex material juxtapositions.

Claydon抯 The Author of Mishap (Them) takes its inspiration from J.G. Frazer抯 The Golden Bough, an early 20th century dissertation on magic and ritual that was widely denounced for its questionable methodology ?a comparative anthropology by 慻enre?rather than linear science. Mirroring Frazer抯 logic, Claydon抯 portrait is a composite of three heroic busts of political figures from this time, each embodying radically opposing beliefs. Through this literal hybrid, Claydon incites the current revivals of genetic engineering and post-modern eclecticism as plausible validation of Frazer抯 theories.

Substituting the traditional hallowed material of bronze for cast copper powder and resin, Claydon defiles his subject抯 monumentality; the aged patina has been created through urinating on the object, both an act of defamation and a reference to Warhol抯 egalitarian pop. Set atop a burlap coated plinth reminiscent of 1950s gallery wall coverings, Claydon reinforces his sculpture抯 historical stature while belying its association with outdated fashion. The peacock feather operates primarily as a formal device, adding a surreal and dilettantish air to the impoverished authoritarian relic.

SELECTED EXHIBITIONS

2006

?Galerie Kamm, Berlin
?Rings of Saturn, Tate Modern, London
?Dereconstruction, Barbara Gladstone Gallery, New York, curated by Matthew Higgs
?Statements, Art Basel, Basel, Switzerland
?Writing the Strobe, Curated by Andrew Hunt, Dicksmith Gallery, London

2005

?Time Lines, Kunstverein f黵 die Rheinlande und Westphalen, D黶seldorf
?Flies Around the Fury Flotsam, Curators Space, London
?Odiseado Tra Tempo, Peter Kilchmann Galerie, Zurich, curated by Charlotte Mailler
?Jack too Jack, live performance, Portikus, Frankfurt
?Paris ?Londres: Le Voyage Interieur, Espace Electra, Paris, curated by Alex Farquharson
?Jack too Jack, live performance, Inverleith House, Edinburgh
?Even a Stopped Clock Tells the Right Time Twice a Day, ICA London
?Jack too Jack, live performance, Rio Cinema, London
?Post no Bills, White Columns, New York
?Clouds of Witness, Islington Town Hall, London
?From Earth, film, Light Box, Tate Britain, London
?Remixed Water, live performance, Manchester.

2004

?Shades of Destructors, live performance, Prince Charles Theatre, London.
?Shades of Destructors, live performance, Gavin Brown Enterprise, New York.
?Shades of Destructors, live performance, Humanist society, London.
?Live web-cast of sculpture at Show studio
?The Last Supper, Group show, Hoxton Distillery
?Remixed Water, remix collaboration with Lawrence Wiener and Ned Sublet
?In The Gathering Darkness, contribution with Neil Chapman for 慣he Poster The Show 1,2,3...? group exhibition Hoxton Distillery London

2003

?R.I.P. photographic contribution with Neil Chapman for the Box of the Uncanny, a multiple produced by Christine Walter, Munich.
?Strange Greeny from The Sum of the Earth, video screening at Kunstwerk, Berlin
?The Sum of the Earth, exhibition of sculpture, installation, video and sound, with Neil Chapman, Hoxton Distillery, London E8

2002

?group exhibition Hoxton Distillery London

2001
?Stepped Series In Response To A Nothing, contribution with Neil Chapman, group exhibition, The
?Poster, The Show, The Hoxton Distillery London
?It Grows Away, collaboration with Neil Chapman, The Hoxton Distillery London
?Loud Like Nature, ADD N TO (X), installation and video, La Box, Borges, France

2000
?Five works in lieu of a particle accelerator, installation with Neil Chapman, Greengrassi, London

1999

?The Opposite of a Good Idea, performance with Neil Chapman, Inventory, Volume 3, issue 2, launch, Guy抯 Hospital London
?ADDING N TO (X), installation and performance, February and April, Villa Noailles, Hyeres, France
1998

?ADD N TO (X) Dinner Music for Electronic Quartet, ICA London
?Live performance of group composition to the film, Paper Moon, in collaboration with Barry Adamson, Nick Cave and Pansonic, Royal Festival Hall, London.

1997
?City Of Gold, Mister Chicks, Peripheral Visionary, Group Show, Eindhoven, Curated by Colin and
?Lowe and Roddy Thompson, Holland, May.

Conclusions:
Steven Claydon appropriates the styles and figures of history to draw provocative connotations between contemporary social concerns and obsolete ideologies.

What to Do Next...
If you want any information about Steven Claydon or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/steven_claydon.htm

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